This piece is a conceptual reinterpretation of the matryoshka, the iconic object that represents containment and layered repetition. However, in this version, the traditional logic is reversed: the smallest matryoshka is, in fact, the largest. Through this paradox, the work questions the perception of size, hierarchy, and the meaning of space.
It is a play between fullness and emptiness, positives and negatives, additive forms, rigidity and softness. Everything coexists in a balance where matter and absence engage in dialogue, creating both visual and conceptual tension.
More than a figure contained within another, this inverted matryoshka explores the idea that the smallest can be immense, and that form also exists within absence.
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